It's almost unthinkable that you might not have heard of Clive Sinclair, despite the fact that he seems to have completely vanished from the public eye for the past twenty years or so. I keep expecting him to pop up on Dragon's Den, or some dreadful reality TV programme, but no - Sir Clive has more about him than that. Alan Sugar, take note - everyone knows your name, but Sir Clive is still blessedly esoteric. Because Clive Sinclair is no television personality, no souped-up fat cat who wants to be in the public eye (I'm deliberately ignoring the late night poker shows. Impartiality... hah!) Clive Sinclair is an entrepreneur, but also, and most importantly, an inventor in the truest sense of the word, like Trevor Bayliss and Isambard Kingdom Brunel. Each of these, in their time, changed something about the world. Which sounds grandiose, but it's not much of a search to find fervent believers in Clive Sinclair. Scratch the surface just a tiny bit, and you'll find those who believe he changed the world of computing, in particular, rushing to the fore with tales of glorious childhood memories. (Or, in my case at least, maybe childhood is a wishful thought...)
Clive's most famous achievement has to be the ZX Spectrum, which contrasts sharply with his most infamous creation, the Sinclair C5. Both were revolutionary, innovatively designed, cheap and undeniably cutting-edge. One was successful, the other was not. This, in a nutshell, is the pattern of Clive Sinclair's life - the direct result of mixing inventor and entrepreneur. A string of companies; a range of imaginative designs; some of it worked, some of it (with the best will in the world) simply didn't: Sir Clive Sinclair fits the inventor mould completely. And it all started way back in the 1940s...
1940: Life, Education And Early Employment
Born on the 30th of July, 1940, Clive Marles Sinclair was the eldest of three children. Growing up in Richmond, Surrey in the UK, Clive was greatly influenced by his father's, and indeed his grandfather's, career as an engineer. Invention and exploration were childhood pleasures for Clive, and he took it upon himself to excel in this area. At the age of ten his local school, Boxgrove Preparatory declared itself unable to teach Clive anything further about mathematics, and suggested it was time for him to move on to secondary education.
Around this time, the family machine tooling business became bankrupt. It was quickly rebuilt with much hard work on the part of Clive's father, Bill Sinclair, but as a result Clive's secondary education was somewhat disrupted, beginning at Highgate, moving to Reading and then to Dorking Grammar School. Despite this lack of consistency he finally took A and S levels in physics, pure mathematics and applied mathematics at St George's College in Weybridge.
Clive Sinclair's choice of subjects, given his later business interests, is no surprise. Linked together with Clive's own interest in engineering, his later career seems a natural progression. Already, at the time of his A levels, Clive was working on a simple radio circuit and, also, an article for Practical Wireless, which was eventually published. Progressing from this, when Practical Wireless advertised for an editorial assistant Clive quickly applied for, and got, the job. Understandably, his parents were concerned: they had expected Clive to progress to university, a fact Clive was well aware of when he told them it was merely a stop-gap holiday job. With no intention of going to university, it was a a stroke of morbid luck when the editor and assistant editor became ill, leaving the magazine in Clive's capable hands. A few articles a week, various circuit designs (some of which worked and some of which didn't), and Clive was already making a mark in the electronics world.
1961: Sinclair Radionics
Accepting better-paid work by Bernard Babani publishing house, Clive continued to design circuits and edit books until 1961, when he handed in his notice and registered Sinclair Radionics as a limited company. His intention, though ill-fated, was to find backing for a pocket transistor radio and release it for general sale. The backer withdrew support, leaving Clive unemployed, though he was quick to find employment with United Trade Press.
Sinclair Radionics Ltd. began to trade from Clive's home address, and quickly expanded to a two-room operation in Islington. Forseeing a need for a manufacturing and mail-order administration base, Clive formed strong links with Tim Elioart, who ran Cambridge Consultants Ltd., the administration wing of Clive's operation. Well-placed advertisements for Sinclair products quickly produced demand, and the familiar pattern of Clive's business operations emerged.
Innovative designs continued to receive advertising input, and orders continued to roll in. A mini-amplifier, the world's first digital watch and a miniature television further embodied Clive's business ideals: as small as possible, as cheap as possible, and produced in bulk. The Sinclair Executive was the world first slimline electronic calculator, arriving (as so many Sinclair products did) in kit form, ready for assembly.
The formula worked. Engaged by now, six months after the company was formed, Clive married Ann. A move to Cambridge in 1967 formalised the base of operations and firmed up the link between Clive's later projects and Cambridge. His marriage to Ann, incidentally, was to last twenty-three years, and produce three children: Belinda, Crispin and Bartholomew.
1980: Sinclair Computers / 1981: Sinclair Research
It is for his success in the field of computing that Clive will be most remembered. In 1979 Clive applied his business formula to computers, producing the MK14, a low-cost, miniature computer. It sold well, and quickly led to the ZX80, a device with a £100 price point, nearly £600 less than Commodore's similar offering. Mail order was still Clive's chosen distribution method, although the ZX80 was available ready-made, as well as in Sinclair's usual kit form. It was an undeniable success, and the new company, Sinclair Research was ready to expand to the US, trading in association with Timex. The ZX81 quickly followed, and was just as successful.
Then came the ZX Spectrum. Arguably the most successful of Clive's creations, and still based around Zilog's Z80 chip, the Speccy brought computing into millions of eighties households. Indeed, the advent of home computing at this time had much to do with Sinclair Research, and while there were other options available, the Spectrum was as much a driving force as any other machine. Follow-ups to the Spectrum, notable the 68008-based Sinclair QL, were less well received, and Clive's interest in computing seems to have settled, following the Cambridge Z88's good reception, and subsequent sale of the Cambridge Computers company.
1985: Sinclair Vehicles
Choosing, instead, to focus on modifying personal transport, Clive's C5 is almost a prototype for the Segway. Not in design: the C5's design was widely derided and even villified for being unsafe. The concept behind it, however, is very similar - a personal vehicle with an environmentally friendly slant, relying on electric motors and offering a practical solution to the traffic problems of today's modern cities. The C5 flopped, totally, and took much of Sinclair Research's money with it, necessitating a sale of the computer division and brand name to Amstrad. Despite this, personal transport remains an area Clive is keen to exploit, and he continues to manufacture his 'Zeta' add-on kits for bicycles, as well as producing an underwater propulsion device and a wheelchair drive unit.
Other Notable Achievements And Current Activities
In 1980, at the peak of his popularity, Clive became the chairman for British Mensa, a title he held until 1997. Also, during the eighties, he studied for a diploma at King's College, Cambridge, and was a Visiting Fellow Of Robinson College from '82 to '85. He was knighted in 1983, and from 1984 onwards he took the role of Visiting Professor for the Department Of Electronic Engineering at the Imperial College Of Science And Technology. Currently, Clive Sinclair lives in London, remaining focused on his engineering and inventing interests. Additionally, Clive dabbles in poker, occasionally appearing on Channel Four's Late Night Poker.
17 May 2012
06 June 2011
Angus Scrimm
Angus Scrimm is primarily remembered for his role as the Tall Man in Don Coscarelli's science fiction/horror film Phantasm and its sequels. Which is, in a sense, ironic - Scrimm himself concurs that such a role was a complete departure from his usual acting work.
Growing up in Kansas City, Scrimm confesses to never imagining a career as the star of a series of horror movies. Moving to California as a teenager, he studied drama at USC, leading to a steady career in theatre, televisionand some film work. Without the opportunity to work on Phantasm, Scrimm is convinced he would still be playing comedy roles.
His 1979 appearance in Phantasm produced an unforgettable character, aided by Scrimm's ability to look almost effortlessly sinister. A screwed up right eye and bizarre crop of greying hair combine with a perfectly straightforward suit and tie to produce the enduring image of the Tall Man. And from this basis Scrimm went on to star in numerous other such roles: Dr. Lyme in Deadfall (working alongside Nicolas Cage and Charlie Sheen) or the unpleasant Seer from Mindwarp, in which he starred with Bruce Campbell.
Added to Fangoria Magazine's Horror Hall Of Fame in 1994, Scrimm stands alongside Stephen King, Anthony Hopkins and Vincent Price. With regard to the Tall Man, Scrimm admits to being amazed at the affection with which he is held, though a little reflection on the matter will show that such affection on the part of fans is nothing new; Pinhead, from Clive Barker's Hellraiser is afforded the same admiration, and Robert Englund's Freddy Kruegeris of a similar ilk. "I am continually amazed that the fans have so much affection for such a dark character whose trade is essentially death. Audiences enjoy laughing with the Tall Man as he does his appalling deeds.'
Growing up in Kansas City, Scrimm confesses to never imagining a career as the star of a series of horror movies. Moving to California as a teenager, he studied drama at USC, leading to a steady career in theatre, televisionand some film work. Without the opportunity to work on Phantasm, Scrimm is convinced he would still be playing comedy roles.
His 1979 appearance in Phantasm produced an unforgettable character, aided by Scrimm's ability to look almost effortlessly sinister. A screwed up right eye and bizarre crop of greying hair combine with a perfectly straightforward suit and tie to produce the enduring image of the Tall Man. And from this basis Scrimm went on to star in numerous other such roles: Dr. Lyme in Deadfall (working alongside Nicolas Cage and Charlie Sheen) or the unpleasant Seer from Mindwarp, in which he starred with Bruce Campbell.
Added to Fangoria Magazine's Horror Hall Of Fame in 1994, Scrimm stands alongside Stephen King, Anthony Hopkins and Vincent Price. With regard to the Tall Man, Scrimm admits to being amazed at the affection with which he is held, though a little reflection on the matter will show that such affection on the part of fans is nothing new; Pinhead, from Clive Barker's Hellraiser is afforded the same admiration, and Robert Englund's Freddy Kruegeris of a similar ilk. "I am continually amazed that the fans have so much affection for such a dark character whose trade is essentially death. Audiences enjoy laughing with the Tall Man as he does his appalling deeds.'
It would be a mistake to assume that Scrimm's entire career is based around the Tall Man, however. As a journalist he has written for TV Guide, Cinema Magazine and the Los Angeles Herald Examiner, as well as maintaining an intriguing career producing liner notes for a huge range of albums. There is no doubt, however, that Phantasm is his enduring legacy: 'Tell them I haven't hung up the old balls yet!'
18 March 2011
A brief history:
Formed in 1986 and hailing from Tromsø, Norwegian band Bel Canto use a subtle blend of electronics, guitars and vocals to produce ethereal, strange and beautiful music. Occasionally, traditional ethnic instruments or even classical arrangements punctuate tracks, or a heavier, synthetic feel might develop, perhaps showing the influences of Geir Jenssen, part of the original line-up, who later left to form Biosphere under the name Bleep. Geir's style is clearly visible on the Bleep remix of Dreaming Girl.
Following the release of the first album, Bel Canto became a double act, now consisting of vocalist Anneli Drecker (whose name may be familiar for recent collaborations with Röyskopp and A-ha) and Nils Johansen. Taking their name from the bel canto style of opera, the range and expression of Anneli's voice is undeniably deserving of such comparisons; bel canto means beautiful singing. Both the music and the vocal styles have been compared to the Cocteau Twins, though Anneli's lyrics do not generally correspond exactly with Liz Fraser's echolalic singing. More often than not, the lyrics for Bel Canto songs are in English, perfectly audible, multi-layered and sometimes rather odd: The reptiles escaped, who said boo? Was it me but who then was I? being a perfect example, closely followed by The dinosaur slipper man does the very best he can to make a living out of what he does. Other tracks, meanwhile, feature Norwegian, German or French vocals, such as those on Im Best'n Beihs, Le Temps Dégagé or traditional folk-story Die Geschichte Einer Mutter.
Albums:
White-out Conditions (1987)
Birds of Passage (1990)
Shimmering, Warm and Bright (1992)
Magic Box (1996)
Rush (1998; released as Images outside Europe)
Retrospect (2000; compilation album)
Dorothy's Victory (2002; only released in Norway)
Bel Canto's style has varied over the course of their career. The first album, White-out Conditions deals with the frost-filled fjords of Northern Norway. Ethnic instrumentation and repetitive percussion brings a feeling of bleakness to the album, and Anneli's vocals muse on the creaking ice, bodies floating in the cold sea, and the futility of vision under white-out conditions. The music may be beautiful, but the theme of the album strikes precisely at the point between beauty and danger; overall, a keen reflection of the beauty and danger of the white-out landscape.
The second album Birds Of Passage moves onto more varied themes, though still with a downbeat theme, shown in songs like The Suffering and Intravenous. Third album Shimmering, Warm And Bright is stunning; quite possibly their best, and certainly their most Cocteau-Twins-esque.
Magic Box features collaborations with Jah Wobble, and the following album Rush has a more synthetic feel. Following the release of a compilation album, Retrospect, Bel Canto returned to elegant, guitar-based instrumentation, backed by washes of synths and multi-layered vocals, producing Dorothy's Victory, sadly only available in Norway, but more than worth making the effort to seek out. Anneli's solo albums, beginning with Tundra (2001), are also worth finding.
Tracklistings:
White-Out Conditions:
1 Blank sheets (4:13)
2 Dreaming girl (3:04)
3 Without you (4:03)
4 Capio (2:20)
5 Agassiz (3:56)
6 Kloeberdanz (3:00)
7 White-out conditions (4:08)
8 Baltic ice-breaker (4:43)
9 Upland (6:59)
10 Chadeinoi (3:29)
Birds Of Passage:
1 Look 3 (4:34)
2 Dewy fields (4:04)
3 Continuum (4:35)
4 The suffering (4:07)
5 The Glassmaker (4:28)
6 Picnic on the moon (4:41)
7 Intravenous (3:18)
8 Oyster (3:07)
9 Birds of passage (5:26)
10 A shoulder to the wheel (4:18)
11 Time without end (5:01)
Shimmering, Warm And Bright:
1 Unicorn (5:19)
2 Summer (4:47)
3 Waking will (5:16)
4 Shimmering, warm and bright (3:18)
5 Sleep in deep (2:45)
6 Buthania (2:52)
7 Le temps dégagé (4:43)
8 Spiderdust (3:59)
9 Die geschichte einer mutter (6:54)
10 Mornixuur (7:51)
Magic Box:
1 The magic box I (1:21)
2 In zenith (5:29)
3 Freelunch in the jungle (4:14)
4 Rumour (5:24)
5 Sleepwalker (4:50)
6 Bombay (3:58)
7 Paradise (5:11)
8 Didn't you know it? (4:23)
9 Big belly butterfly (4:46)
10 Kiss of spring (4:26)
11 The magic box II (1:20)
Rush / Images:
1 Images (3:36)
2 All i want to do (4:52)
3 Spacejunk (3:57)
4 Verena (3:11)
5 Idly I de-ice (4:54)
6 Nornagest (0:43)
7 Rush (4:32)
8 99% of me (3:01)
9 The dinosaur-slipper-man (3:26)
10 Hearts unite (4:38)
11 Sun (5:45)
12 Here, in shadow (2:41)
13 Heaven (5:40)
Retrospect CD1:
1 Bombay (3:52)
2 Shimmering, warm and bright (3:13)
3 Didn't you know it? (4:11)
4 Images (3:34)
5 Summer (4:36)
6 Paradise (4:56)
7 Idly i de-ice (4:51)
8 Spiderdust (3:55)
9 A shoulder to the wheel (3:56)
10 Capio (2:09)
11 Unicorn (4:12)
12 White-out conditions (3:41)
13 Dewy fields (3:48)
14 Waking will (5:11)
15 Blank sheets (3:51)
16 Rumour (5:01)
17 The suffering (3:35)
18 Disappear club 5 (4:38)
Retrospect CD 2:
1 White-out condition (Demo 1986) (4:57)
2 Baltic ice-breaker (Demo 1986) (4:31)
3 Maaligaabidaa (B-side) (2:54)
4 Keena maareeme (B-side) (4:58)
5 Birds of passage (Live in Tromsø 1999) (4:47)
6 Heaven (Live in Tromsø 1999) (5:05)
7 Dreaming girl (USA Remix by Bleep) (4:02)
8 Shimmering, warm and bright (Alien nation) (6:03)
9 Ride the unicorn (Alien nation remix) (6:20)
10 Rumour (BandB remix) (7:46)
11 Agnus dei (4:46)
Dorothy's Victory:
1 Foolish Ship (4:32)
2 Feels Like I'm Already Flying (3:59)
3 You Rock My World Tonight (4:42)
4 Disappear Club 5 (4:34)
5 Night Lady (6:37)
6 Dorothy's Victory (4:22)
7 Tree (5:34)
8 Happy Time Fly Fast! (3:54)
9 Im Best'n Beihs (5:17)
10 Corals, Jade and Pearls (4:00)
11 Ladonia (5:15)
Formed in 1986 and hailing from Tromsø, Norwegian band Bel Canto use a subtle blend of electronics, guitars and vocals to produce ethereal, strange and beautiful music. Occasionally, traditional ethnic instruments or even classical arrangements punctuate tracks, or a heavier, synthetic feel might develop, perhaps showing the influences of Geir Jenssen, part of the original line-up, who later left to form Biosphere under the name Bleep. Geir's style is clearly visible on the Bleep remix of Dreaming Girl.
Following the release of the first album, Bel Canto became a double act, now consisting of vocalist Anneli Drecker (whose name may be familiar for recent collaborations with Röyskopp and A-ha) and Nils Johansen. Taking their name from the bel canto style of opera, the range and expression of Anneli's voice is undeniably deserving of such comparisons; bel canto means beautiful singing. Both the music and the vocal styles have been compared to the Cocteau Twins, though Anneli's lyrics do not generally correspond exactly with Liz Fraser's echolalic singing. More often than not, the lyrics for Bel Canto songs are in English, perfectly audible, multi-layered and sometimes rather odd: The reptiles escaped, who said boo? Was it me but who then was I? being a perfect example, closely followed by The dinosaur slipper man does the very best he can to make a living out of what he does. Other tracks, meanwhile, feature Norwegian, German or French vocals, such as those on Im Best'n Beihs, Le Temps Dégagé or traditional folk-story Die Geschichte Einer Mutter.
Albums:
White-out Conditions (1987)
Birds of Passage (1990)
Shimmering, Warm and Bright (1992)
Magic Box (1996)
Rush (1998; released as Images outside Europe)
Retrospect (2000; compilation album)
Dorothy's Victory (2002; only released in Norway)
Bel Canto's style has varied over the course of their career. The first album, White-out Conditions deals with the frost-filled fjords of Northern Norway. Ethnic instrumentation and repetitive percussion brings a feeling of bleakness to the album, and Anneli's vocals muse on the creaking ice, bodies floating in the cold sea, and the futility of vision under white-out conditions. The music may be beautiful, but the theme of the album strikes precisely at the point between beauty and danger; overall, a keen reflection of the beauty and danger of the white-out landscape.
The second album Birds Of Passage moves onto more varied themes, though still with a downbeat theme, shown in songs like The Suffering and Intravenous. Third album Shimmering, Warm And Bright is stunning; quite possibly their best, and certainly their most Cocteau-Twins-esque.
Magic Box features collaborations with Jah Wobble, and the following album Rush has a more synthetic feel. Following the release of a compilation album, Retrospect, Bel Canto returned to elegant, guitar-based instrumentation, backed by washes of synths and multi-layered vocals, producing Dorothy's Victory, sadly only available in Norway, but more than worth making the effort to seek out. Anneli's solo albums, beginning with Tundra (2001), are also worth finding.
Tracklistings:
White-Out Conditions:
1 Blank sheets (4:13)
2 Dreaming girl (3:04)
3 Without you (4:03)
4 Capio (2:20)
5 Agassiz (3:56)
6 Kloeberdanz (3:00)
7 White-out conditions (4:08)
8 Baltic ice-breaker (4:43)
9 Upland (6:59)
10 Chadeinoi (3:29)
Birds Of Passage:
1 Look 3 (4:34)
2 Dewy fields (4:04)
3 Continuum (4:35)
4 The suffering (4:07)
5 The Glassmaker (4:28)
6 Picnic on the moon (4:41)
7 Intravenous (3:18)
8 Oyster (3:07)
9 Birds of passage (5:26)
10 A shoulder to the wheel (4:18)
11 Time without end (5:01)
Shimmering, Warm And Bright:
1 Unicorn (5:19)
2 Summer (4:47)
3 Waking will (5:16)
4 Shimmering, warm and bright (3:18)
5 Sleep in deep (2:45)
6 Buthania (2:52)
7 Le temps dégagé (4:43)
8 Spiderdust (3:59)
9 Die geschichte einer mutter (6:54)
10 Mornixuur (7:51)
Magic Box:
1 The magic box I (1:21)
2 In zenith (5:29)
3 Freelunch in the jungle (4:14)
4 Rumour (5:24)
5 Sleepwalker (4:50)
6 Bombay (3:58)
7 Paradise (5:11)
8 Didn't you know it? (4:23)
9 Big belly butterfly (4:46)
10 Kiss of spring (4:26)
11 The magic box II (1:20)
Rush / Images:
1 Images (3:36)
2 All i want to do (4:52)
3 Spacejunk (3:57)
4 Verena (3:11)
5 Idly I de-ice (4:54)
6 Nornagest (0:43)
7 Rush (4:32)
8 99% of me (3:01)
9 The dinosaur-slipper-man (3:26)
10 Hearts unite (4:38)
11 Sun (5:45)
12 Here, in shadow (2:41)
13 Heaven (5:40)
Retrospect CD1:
1 Bombay (3:52)
2 Shimmering, warm and bright (3:13)
3 Didn't you know it? (4:11)
4 Images (3:34)
5 Summer (4:36)
6 Paradise (4:56)
7 Idly i de-ice (4:51)
8 Spiderdust (3:55)
9 A shoulder to the wheel (3:56)
10 Capio (2:09)
11 Unicorn (4:12)
12 White-out conditions (3:41)
13 Dewy fields (3:48)
14 Waking will (5:11)
15 Blank sheets (3:51)
16 Rumour (5:01)
17 The suffering (3:35)
18 Disappear club 5 (4:38)
Retrospect CD 2:
1 White-out condition (Demo 1986) (4:57)
2 Baltic ice-breaker (Demo 1986) (4:31)
3 Maaligaabidaa (B-side) (2:54)
4 Keena maareeme (B-side) (4:58)
5 Birds of passage (Live in Tromsø 1999) (4:47)
6 Heaven (Live in Tromsø 1999) (5:05)
7 Dreaming girl (USA Remix by Bleep) (4:02)
8 Shimmering, warm and bright (Alien nation) (6:03)
9 Ride the unicorn (Alien nation remix) (6:20)
10 Rumour (BandB remix) (7:46)
11 Agnus dei (4:46)
Dorothy's Victory:
1 Foolish Ship (4:32)
2 Feels Like I'm Already Flying (3:59)
3 You Rock My World Tonight (4:42)
4 Disappear Club 5 (4:34)
5 Night Lady (6:37)
6 Dorothy's Victory (4:22)
7 Tree (5:34)
8 Happy Time Fly Fast! (3:54)
9 Im Best'n Beihs (5:17)
10 Corals, Jade and Pearls (4:00)
11 Ladonia (5:15)
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